Awaken! Flag (2012)
Flocked wall installation – Digitally-altered QR Code
The Métis (pron. may-tee) people of Canada are one of
three recognised Aboriginal groups, the others being the Inuit and First
Nations. During the North American fur
trade peak in the 18th and 19th centuries, the British,
Scottish and French-Canadian fur traders married Inuit and First Nations women.
Their children and future generations were exposed to both Catholic and
Indigenous belief systems as well as English, French and First Nations
languages, resulting in a new distinct Aboriginal people in Canada. Due to their understanding of both societies
and customs, the Métis helped bridge cultural gaps, while developing their own
distinct language and culture. They
played a vital role in Canadian history and the success of the western fur
trade due to their skills as voyageurs, buffalo hunters and interpreters, along
with their knowledge of the Canadian landscape and climate. The Métis have two flags, one red and one
blue. Emblazoned on both is the infinity
symbol, representing the joining of two cultures that will live on forever and
the ‘quadrille’, a traditional Métis dance where the dancers move in a figure
eight.
Awaken! Flag explores the counterbalance of intermediary
exchange between two disparate points through Jakob von Uexkull’s notion of the
umwelt (objective/outer world) and
the innenvelt (subjective/inner
world. Applied to object hyperlinking
(the interactivity between the image-object and the virtual) through the use QR
Code technology, only those with technical know-how or willingness to engage
with the technology can access the content embedded in the code. This in turn references the content of the
artwork, which draws parallels between artists as translators and my own heritage
as a descendant of Louis Riel (1844 – 1885), the political and spiritual leader
of the Métis people.
QR Code Reader/Scanner Instructions
Requirements: Smartphone or tablet equipped with a camera,
Internet access and QR Code application
1.
Download
a free QR Code Reader application (e.g. Qrafter, Red Laser, QR Droid, etc.)
2.
Launch
application. Your camera will be
activated with an on-screed framing guide.
3.
Line
up the camera on your device with the Awaken!
Flag. Hold it steady until the app
can read the code.
4.
For
best results, aim your device squarely at the code, and not at an angle. Try to minimize any glare from stray light
sources.
A special thank you to Roger Beattie for
project assistance.
Email :
jenraeis@gmail.com
Website :
About :
Jen Rae is an interdisciplinary artist, cultural producer and researcher from Canada, practicing in Melbourne since 2008. She has a Bachelor of Fine Arts (2003) and a Masters of Art: Art in Public Space (2009). Jen has exhibited in the USA, Canada and Australia and is the recipient of numerous scholarships and awards including the RMIT Endeavour International Postgraduate Research Scholarship Award (2010). She is currently a PhD candidate in the Art & Environmental Sustainability Research Cluster at RMIT University and a fellow at The Centre for Sustainability Leadership and the School for Social Entrepreneurs. Jen is also the Producer of TippingPoint Canada, (date to be confirmed), in Banff, Canada.
Jen’s practice-led research explores cultural adaptation to climate change and related environmental issues. She investigates the ways in which artist-led ecological projects can more effectively engage with the public by working in collaboration with other disciplines in the identification and communication of environmental concerns. Her work also employs methods to reduce the environmental impact of creating such works and is continually looking for innovative ways reduce to her ecological footprint in the studio and through production.
CV :
Education
2013 Ph.D. – Fine Art, Art & Environmental Sustainability, RMIT University, Melbourne, Australia
2010 School for Social Entrepreneurs Fellowship, School for Social Entrepreneurs, Melbourne, Australia
2009 Centre for Sustainable Leadership Fellowship, Melbourne, Australia Master of Arts in Public Space with Distinction, RMIT University, Melbourne, Australia
2009 Centre for Sustainable Leadership Fellowship, Melbourne, Australia Master of Arts in Public Space with Distinction, RMIT University, Melbourne, Australia
2006/7 Aboriginal Visual Arts Work Study (internship), The Banff Centre, Banff, Alberta, Canada
2004 Master of Studio Arts program (1st year), Concordia University, Montreal, Canada
2003 Bachelor of Fine Arts with Distinction, University of Alberta, Edmonton, Canada
2001 Fine Arts Diploma, First Class Standing, Grant MacEwan University (College), Edmonton, Canada
1997 - 99 Bachelor of Arts transfer program (2 years), Grant MacEwan University (College), Edmonton, Canada
Exhibition
2010 ARENA, (Curator) City Square, Melbourne, Australia – Featuring 5 artists for the 7,000 Oaks Festival
2009 ORGANIC MINIMALISM: NEW BODIES OF KNOWLEDGE, LA Artcore Brewery Annex Space, Los Angeles, USA (7 Canadian artists), Curator: Carrie Paterson
2009 ORGANIC MINIMALISM: NEW BODIES OF KNOWLEDGE, LA Artcore Brewery Annex Space, Los Angeles, USA (7 Canadian artists), Curator: Carrie Paterson
2008 STONE IN WATER CONTINUUM: CRIMSON MANDALA, RMIT Spiritual Courtyard, Melbourne, Australia (commissioned public artwork and intervention by RMIT University, Design and Research Institute)
THE NOTION OF HUMAN MOVEMENT, Bourke Place, Melbourne, Australia (commissioned public artwork ‘WINNER’ in collaboration with Danielle Karalus), Curator: Kim De Kretser ěk'ō drum, public art performance walk, Melbourne CBD to Port Melbourne IMPROBABLE/IMPOSSIBLE, Shed 9, Central Pier- The Docklands, Melbourne, C.E.R.E.S. – ‘the other side of OUT’, temporal public artwork Brunswick, Australia
THE NOTION OF HUMAN MOVEMENT, Bourke Place, Melbourne, Australia (commissioned public artwork ‘WINNER’ in collaboration with Danielle Karalus), Curator: Kim De Kretser ěk'ō drum, public art performance walk, Melbourne CBD to Port Melbourne IMPROBABLE/IMPOSSIBLE, Shed 9, Central Pier- The Docklands, Melbourne, C.E.R.E.S. – ‘the other side of OUT’, temporal public artwork Brunswick, Australia
FICTION, The Other Gallery, The Banff Centre, Banff, Canada, (12 Aboriginal artists), Curator: Frank Shebageget with Edward Poitras and Ryan Rice
2007 EN RUPTURE DE BAN – AT ODDS WITH AUTHORITY, Environmental Design Gallery, Calgary, Canada Curators: Catherine Hamel and Marjan Eggermont (group)
2007 EN RUPTURE DE BAN – AT ODDS WITH AUTHORITY, Environmental Design Gallery, Calgary, Canada Curators: Catherine Hamel and Marjan Eggermont (group)
2006 AN INSTANCE OF THIS, The Other Gallery, The Banff Centre, Banff, Canada A collaborative video/performance/installation with artist Radha Chandrashekaran
AFTER BURN, (Curator), The Other Gallery, Banff, Alberta, Canada - Featuring artists Trees DeMits and Marnix Hoys (Belgium)
REWIND, (Curator), Harcourt House Art Gallery, Edmonton, Canada Featuring artist Bonnie Baxter
2005 BURLS & BUNDLES, Harcourt House Gallery, Edmonton, Alberta, Canada (solo)
2004 DRAWING OUT, Bourget Gallery, Montreal, Quebec, Canada (3 artists)
MERVIELLE du MOMENT, Bourget Gallery, Montreal, Quebec, Canada (group)
Producer, TippingPoint Canada (The Banff Centre, proposed for 2012) TippingPoint Canada is an international projected of TippingPoint UK which brings together, by invitation, professional scientists (physical and social), artists (performing and visual) and others for a 3 day intensive workshop to explore the ways we can adapt to and mitigate functionally, culturally and socially to the impacts of climate change. www.tippingpointcanada.org Director and Co-founder, The Riparian Project The Riparian Project is a public art initiative that aims to influence a shift in grazing practices in Victoria to improve river health. The interdisciplinary team includes waterways engineer Amanda Wealands and environmental lawyer Nicola Rivers. In 2010, The Riparian Project was awarded the first prize in the 2010 RMIT University Social Enterprise SEED grants. www.theriparianproject.com.au
No comments:
Post a Comment